猎杀》主演：斯嘉丽-福克斯特 (VID0761, 4K MP4)

在这段期间内，有很多人都在为他们的生活而烦恼。邓丽君："我觉得我是一个很好的人，我是一个很好的人，我是一个很好的人。他们已经争论了几个小时，这是最后一根稻草--斯嘉丽走了一条路，她的朋友走了另一条。

地图似乎证实了斯佳丽的想法--这条小路确实通向一个小屋。但这并不是她认为的那个度假小屋。她没有注意到禁止擅入的标志......而现在她在猎人的土地上。她继续攀登......有一个响声。一根树枝？有人或东西在森林里盯着她吗？那是什么？猎人们正在逼近......他们要带走她，打碎她，让她成为他们的玩物，折磨她，用手杖敲打她的脚底，鞭打她，让她尖叫，只为了他们的快乐。他们要操她，摸她，然后，当一个星期的地狱生活结束后，他们要给她加冕丰收女王，让她自由！如果她能逃出猎人的手掌心，她就能获得自由。如果她设法逃脱猎人，她将获得自由，但如果他们抓住她，他们将把她拖回地狱，享受他们的公司....。

这是一部经典的跟踪者/屠杀者恐怖片，具有万圣节、13号星期五等的传统。斯嘉丽是一个巨大的恐怖片迷，所以当她建议我们去拍一部完全的BDSM跟踪者电影时，我抓住了这个机会。她把最初的剧本和大部分狂野的元素放在一起，只是为了让你知道 我把最初的图像和想法充实到一个完整的拍摄脚本中，并找到了拍摄地点，哦，我的上帝，那是一个故事--我们花了三次时间来拍摄捕捉序列。第一次我们尝试，我是在COVID之后，在森林里拍摄的第一部影片中做得过头了，不得不回家。第二次我们去了我经常去的一个地方，结果被一队拖拉机和联合收割机埋伏在我们打算拍摄的道路上。我们终于找到了一个比较安静的地方，虽然还是差点被拖拉机伏击。

然后，当我们在爱情座椅上拍摄时，我们有很多来自邻居的噪音，这使整个事情更有超现实的略带Midsommar的气氛。我很高兴我们在地牢里拍摄了长时间的鞭打、摸索和抽打的镜头，这样斯嘉丽就可以在邻居们听不到的情况下发出尖叫声了！我们还担心会被逮捕。

我们还担心，当我开车把我们从现场送回来时，我们可能会被逮捕，因为那时斯嘉丽已经穿上了她的格子衫--所以她不仅穿着世界上最短的牛仔短裤，向所有人展示她的臀部，而且她看起来被打得遍体鳞伤。如果你想看看她是如何改造的，可以看看她的OF上的幕后花絮--看一个专业人员的工作总是令人着迷的，她展示了从开始到结束的全部化妆工作。

我对这个结果感到非常自豪。它感觉像是一部合适的恐怖片，七十年代末或八十年代初的作品，坏事发生在漂亮女孩身上，而且是在一个毫无顾忌的性的环境中。它比我们通常的《克制的优雅》电影设计得更粗糙、更激烈--我们想在一部捆绑电影中捕捉典型的标志性恐怖片的原始感觉，我认为我们的成功超出了我们最疯狂的梦想！"。





The Hunted starring Scarlett Foxett (VID0761, 4K MP4)


Scarlett and her friend Jenny are back-packing through the wilds of West Wales when they get a little lost. Jenny is sure that the way continues down the road; Scarlett insists that the map shows the cabin they are heading for is up the trail and up the hill. They've been arguing for hours and this is the last straw - Scarlett goes one way, her friend the other.

The map seems to confirm what Scarlett thought - the trail does lead to a cabin. But it is not the holiday cabin she thinks she is heading for. She fails to notice the no trespassing signs... and now she is in the lands of the Hunters. She continues her climb... there's a snap. A twig? Is someone or something staring at her through the forest? What was that? The Hunters are closing in... they are going to take her, break her, make her their plaything, torment her, cane the soles of her feet, whip her and make her scream just for their pleasure. They're going to fuck her and grope her and then, when a week of hell is up, they are going to crown her the Harvest Queen and set her free! If she manages to escape the hunters she will go free, but if they catch her they are going to drag her back to hell to enjoy some more of their company....

This is a classic stalker/slasher horror flick in the tradition of Halloween, Friday the 13th and so on. Scarlett is a massive horror fan, so when she suggested we go for a full-on BDSM stalker film I jumped at the chance. She put together the initial script and most of the wilder elements, just so you know! I took the initial images and ideas and fleshed it out into a ful shooting script, and ound the locations and oh my god was that a story - it took it three tries to film the capture sequence. The first time we tried I was post-COVID and overdid it on our first film out in the forest and had to go home. The second time we went to one of my regular local locations and got ambushed by a literal fleet of tractors and combine harvesters going up exactly the road we were planning to film on. We finally found a quieter location, although still nearly got ambushed by a tractor.

Then when we shot the sequence on the love seat, we had lots of noise from neighbours which added to the surreal slightly Midsommar vibe of the whole thing. I was glad that we were shooting the extended flogging, groping and bastinado sequences in the dungeon so Scarlett could let rip with the screams without the neighbours all hearing at least!

We were also worried we might get arrested when I drove us back from the location because by that point Scarlett had got her grunge on - so not only was she wearing the world's skimpiest denim shorts and showing off her butt cheeks to all and sundry, but she looked beaten up and bruised. If you want to see how she did the transformation, check out the behind-the-scenes on her OF - it's always fascinating to watch a professional at work, and she shows the full makeup job from start to finish.

I'm very proud of the result. It feels like a proper horror film, late seventies or early eighties vintage, where bad things happen to pretty girls in an unashamedly sex-charged setting. It's rougher and more intense than our usual Restrained Elegance films by design - we wanted to capture that raw feeling of the archetypal iconic slasher films in a bondage movie and I think we succeeded beyond our wildest dreams!



(ps:Restrained)